MSP Tutorials – Table of Contents

• Introduction
• How Digital Audio Works
• How MSP Works – Max Patches and the MSP Signal Network
• Audio I/O – Audio input and output with MSP

• MSP Tutorial 1 – Test Tone
• MSP Tutorial 2 – Adjustable Oscillator
• MSP Tutorial 3 – Wavetable Oscillator
• MSP Tutorial 4 – Routing Signals
• MSP Tutorial 5 – Turning Signals On and Off
• MSP Tutorial 6 – A Review of Fundamentals
• MSP Tutorial 7 – Additive Synthesis
• MSP Tutorial 8 – Tremolo and Ring Modulation
• MSP Tutorial 9 – Amplitude Modulation
• MSP Tutorial 10 – Vibrato and FM
• MSP Tutorial 11 – Frequency Modulation
• MSP Tutorial 12 – Waveshaping
• MSP Tutorial 13 – Recording and Playback
• MSP Tutorial 14 – Playback with Loops
• MSP Tutorial 15 – Variable-length Wavetable
• MSP Tutorial 16 – Record and Play Audio Files
• MSP Tutorial 17 – Sampling Review
• MSP Tutorial 18 – Mapping MIDI to MSP
• MSP Tutorial 19 – MIDI Synthesizer Control
• MSP Tutorial 20 – MIDI Sampler Control
• MSP Tutorial 21 – Using the poly~ Object
• MSP Tutorial 22 – MIDI Panning
• MSP Tutorial 23 – Viewing Signal Data
• MSP Tutorial 24 – Oscilloscope
• MSP Tutorial 25 – Using the FFT
• MSP Tutorial 26 – Frequency Domain Signal Processing with pfft~
• MSP Tutorial 27 – Delay Lines
• MSP Tutorial 28 – Delay Lines with Feedback
• MSP Tutorial 29 – Flanging
• MSP Tutorial 30 – Chorus
• MSP Tutorial 31 – Comb Filter

• MSP Compression Introduction – What is Compression?
• MSP Compression Tutorial 1 – Peak Limiting
• MSP Compression Tutorial 2 – Basic Compression
• MSP Compression Tutorial 3 – Tweaking Compression
• MSP Compression Tutorial 4 – Compression on Real Instruments
• MSP Compression Tutorial 5 – Multiband Compression 1
• MSP Compression Tutorial 6 – Multiband Compression 2
• MSP Compression Tutorial 7 – Keying
• MSP Compression Tutorial 8 – Microsounds
• MSP Compression Tutorial 9 – Ducking
• MSP Compression Tutorial 10 – Controlling Feedback